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It's not possible to entry true, Sienna Miller-esque bohemia by the buying of a Depop disc belt and a loose-fitting Chloé gown. The bohemian way of life is an clearly enticing one for fashion-conscious creatives, however there comes some extent when even probably the most renegade artists are pressured to place down the bindle stick and return to work.
Miller understands this. The so-called boho queen—who has spent the previous couple of weeks posing in Chemena Kamali’s lace-embroidered robes on the red carpets of Cannes and the Met Gala—was yesterday photographed strolling by West London in barrel-legged denims and cowboy boots with the sleeves on a pinstripe blazer rolled as much as her elbows in an specific gesture of “getting on with it.” The only real bohemian aspect of the outfit was a drawstring Jimmy Choo hobo bag—named The Cinch—rendered in earthen suede with diamond-shaped hardware.
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The reality is: Sienna Miller might put on something—a bin bag, even…to acceptable vogue’s favourite adage—and her picture would nonetheless be thought-about bohemian-adjacent. It is a girl who will ceaselessly be plunged within the amber of the “boho chic” Noughties: her public persona now inseparable from all of the crochet waistcoats, prairie skirts and slouchy totes she wore in the course of the early aughts. Maybe that's the reason she as soon as denounced the look in a 2006 interview with British Vogue. “No more boho chic!” she said. “Those two words make me sick.” I'm wondering if Sienna Miller—in her pinstripe tailoring and souped-up denims‚may secretly really feel the identical means in 2024.
This text first appeared on British Vogue.
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