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Even in case you’re not a soccer fan, it’s laborious to not get hooked on America’s Sweethearts: Dallas Cowboys Cheerleaders. The newest Netflix docuseries, which premiered on June 20, follows the Cowboys’ cheer squad—identified colloquially because the DCC—from tryouts to coaching camp, during to the tip of the soccer season.
The seven-episode collection comes on the heels of CMT’s Dallas Cowboys Cheerleaders: Making the Staff, a actuality present starring most of the similar characters, together with DCC director Kelli Finglass, which led to 2021 after 16 seasons. By comparability, America’s Sweethearts has a extra skilled sheen, which comes courtesy of director and govt producer Greg Whiteley, the person behind Netflix docuseries hits like Cheer and Final Probability U.
“There’s a certain prestige in [the Dallas Cowboys] community that comes from being in that orbit, but it also demands everything of you,” explains Whiteley of what drew him to the venture. “I find all of that fascinating, and I thought it was an interesting world for us to explore; it was a great privilege to be given the access we were given to do it.”
Whereas CMT’s present was extra surface-level, Whiteley and his workforce delve into all features of life as a member of one of many NFL’s most elite cheer squads. For a lot of members of the workforce, and even aspiring members of them workforce, nice sacrifices are required. Some ladies quit their lives—together with jobs and relationships—to maneuver to Texas to coach; others grin and bear it as their our bodies actually crumble underneath the pressure of demanding dance strikes, just like the soar break up (which is precisely what it appears like).
All of the whereas, most dancers maintain down full-time jobs to be able to make ends meet, arriving at follow after their 9 to 5s, the place they’ll dance till effectively after midnight. But it surely’s not all excessive kicks and smiles. Finglass and her workforce, in addition to Cowboys govt vp and chief model officer Charlotte Jones, typically decide aside the women’ appears to be like, from their make-up to their weight, with typically devastating penalties.
It’s these moments that may be probably the most infuriating to viewers. “The world is moving in one direction, and here’s this institution that’s been largely the same since 1972 but is still wildly popular and wildly successful…. It’s an interesting dilemma,” says Whiteley. “I don’t know what you do about it.”
Learn on for Glamour’s full dialog with America’s Sweethearts: Dallas Cowboys Cheerleaders director Greg Whiteley.
Glamour: What made you telling the story of the DCC? Was there one thing in regards to the Dallas Cowboys franchise particularly?
Greg Whiteley: I wasn’t . The Cowboys initially approached, and I believed, Oh, we’ll by no means get the editorial management we have to do the kind of filmmaking that we search to do. So I informed my agent, “Hey, politely, tell them thanks for their interest, but I just don’t see this working.” It was Charlotte Jones who got here again and mentioned, “We’re open to giving editorial control. We would want to meet with Greg first.” And I believed, Properly, I’m by no means going to show down a gathering with the Charlotte Jones of the Dallas Cowboys. So I flew on the market, and I used to be so impressed, it compelled me to take a more durable take a look at this world.
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