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Since then, Fowl has written and recorded her first studio album and toured and carried out with Renée Rapp. (Although she piqued a whole lot of public curiosity when photographed with Rapp on the pink carpet of the Self-importance Honest Oscars social gathering, Fowl isn’t commenting on her private life proper now.)
“Such a wonderful thing about [Rodgrigo] was she was down to use her platform to highlight other female musicians that she talked with and that she liked,” says Fowl, noting that the collaboration helped open a whole lot of doorways for her. That stated, it by no means would have labored if she and Rodrigo had not additionally related stylistically. “I think she saw that I used a lot of rock and indie as part of my influence, and I think she also feels similarly. I think she saw that in me and was like, ‘Oh, we could connect here on this.’”
Rodrigo’s music has drawn comparisons to Paramore and Bikini Kill, and Fowl’s music has the same punk-inflected edge. Additionally like Rodrigo, Fowl borrows from her personal life when songwriting, which she says generally is a type of emotional catharsis. One among Fowl’s favourite tracks from American Hero is “Sorry, Sorry,” about growing romantic emotions for a good friend. Fowl says the music, written along with her good friend Luke Wild, got here collectively in “about an hour.”
“I think those emotions were really high,” says Fowl. “Like, I could feel it kind of rise all the way to the top and it just needed to come out. Almost like when you feel like you need to cry and then you cry and you’re like, okay, that was good.”
However not like Rodrigo, Fowl wasn’t uncovered to the riot grrrl scene, or actually any women-led bands, till maturity, which she finds “really unfortunate.” Reduce to at the moment, when she herself is a part of a rising, female-fronted queer music scene. On the opposite members of this elite group, Fowl says, “I mean, I’m biased because I’m gay, so I think all gay artists are amazing. But I really think that all of them are really special musicians and I think they’ve certainly carved out space for themselves in an industry that is pretty homogenous and can feel very daunting for a queer person or a person of color.”
Fowl hopes that sooner or later, tradition gained’t must separate “lesbian music” from simply “music.” However for now, “Feeling like I’m kind of on the party bus is really exciting.”